Nicola Colecchia's Anatomy of a Painting: Magritte’s Meditation PDF

By Nicola Colecchia


Many museums, artwork exhibitions and galleries are searhing for new languages to teach the viewers their masterpieces. This essay is a technical resolution to this need.
The language proposed here's the sub-symbolic language of the neural networks, that's in response to the bottom-up method.
The benefits of such strategy are as follows:

a) The that means of a piece emerges gradually from its actual, perceptive and useful elements in line with the self-generating precept of the dynamic systems;
b) the distance language of the murals is reworked right into a sequential tale. accordingly within the conventional visible arts the time dynamics breaks in;
c) The “conversion” of 1 language into the opposite occurs via special neuroscientific standards, varied from the loose interpretations of the creative;
d) the full narration is configured based on a cluster research, mentioned within the final pages of this essay.


Nicola Colecchia, earlier researcher of common Psychology at the college of Bologna, now directs Synapticart, Laboratory of paintings and technological know-how (, the place particular examine on inventive and comprehension procedures of artwork works (paintings, layout, installations, structure) is conducted.
Through an interdisciplinary process in response to the self-generating precept of neural networks, he has elaborated works through nice artists of a long time and locations intentionally diverse from one another, on the way to spot potentially universal expressive mechanisms of their languages, regarded as a part of a sub-symbolic language, which function beneath the stylistic and historic-cultural configurations in their works.

Research has mentioned that the artists analyzed ( between whom Leonardo, Tiziano, Mirò, Magritte, Beuys, Weston, Pesce, Piano, Cattelan, Hirst and others) have intuitively created a few sub-symbolic mechanisms to augment the horny strength in their masterpieces. in reality the sub-symbolic language is “automatically” produced and understood either by means of the artist and by means of the observer’s of the paintings since it relies on an in-born code , which includes everybody’s brain and physique, unbeknown to them.

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Anatomy of a Painting: Magritte’s Meditation by Nicola Colecchia

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