By Nicola Colecchia
Many museums, artwork exhibitions and galleries are searhing for new languages to teach the viewers their masterpieces. This essay is a technical resolution to this need.
The language proposed here's the sub-symbolic language of the neural networks, that's in response to the bottom-up method.
The benefits of such strategy are as follows:
a) The that means of a piece emerges gradually from its actual, perceptive and useful elements in line with the self-generating precept of the dynamic systems;
b) the distance language of the murals is reworked right into a sequential tale. accordingly within the conventional visible arts the time dynamics breaks in;
c) The “conversion” of 1 language into the opposite occurs via special neuroscientific standards, varied from the loose interpretations of the creative;
d) the full narration is configured based on a cluster research, mentioned within the final pages of this essay.
AUTHOR OF THE ESSAY:
Nicola Colecchia, earlier researcher of common Psychology at the college of Bologna, now directs Synapticart, Laboratory of paintings and technological know-how (www.synapticart.org), the place particular examine on inventive and comprehension procedures of artwork works (paintings, layout, installations, structure) is conducted.
Through an interdisciplinary process in response to the self-generating precept of neural networks, he has elaborated works through nice artists of a long time and locations intentionally diverse from one another, on the way to spot potentially universal expressive mechanisms of their languages, regarded as a part of a sub-symbolic language, which function beneath the stylistic and historic-cultural configurations in their works.
Research has mentioned that the artists analyzed ( between whom Leonardo, Tiziano, Mirò, Magritte, Beuys, Weston, Pesce, Piano, Cattelan, Hirst and others) have intuitively created a few sub-symbolic mechanisms to augment the horny strength in their masterpieces. in reality the sub-symbolic language is “automatically” produced and understood either by means of the artist and by means of the observer’s of the paintings since it relies on an in-born code , which includes everybody’s brain and physique, unbeknown to them.
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Anatomy of a Painting: Magritte’s Meditation by Nicola Colecchia